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Selected tracks from:
R'lyeh - Cosmic Horror in Literature
Released September 27, 2015
From Bandcamp:
"From Santa Cruz, California, Michelle Eris began R'lyeh in 2011 to synthesize the sounds and sonic chaos described in the works of Cosmic Horror author HP Lovecraft and others. R'lyeh creates compositions from a variety of perspectives in a spectrum from ambient to harsh, minimal to chaotic. Her musical history spans two decades rooted in death metal, grindcore, electronic, noise, punk and EDM; filtered through hallucinogenic journeys, sonic entropy and introspective discovery."
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Selected tracks from:
The Orchestra of Mirrored Reflections - Far Drifters
Released January 1, 2016
From Bandcamp:
"The Second Album of
The Orchestra Of Mirrored Reflections,
Called Far Drifters
Is a Journey,
Audible
Sensational and somewhat experimental
to the Far Frontiers of Subconsciousness"
The Orchestra Of Mirrored Reflections,
Called Far Drifters
Is a Journey,
Audible
Sensational and somewhat experimental
to the Far Frontiers of Subconsciousness"
The Orchestra of Mirrored Reflections - Far Drifters (Bandcamp link)
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Selected tracks from:
ƘɸƴԼ - Modular Glitchtar Soundscapes Vol. 1
Released November 27, 2014
From Bandcamp:
"This album is a collection of soundscapes made on lap-style slide guitars (dobro / electric lapsteel) with effects pedals, preparations and a lapstop used for live-looping purpose.
Blending post-rock, americana, eastern music, ambient and drone in a cinematic way, the music bridges the gap between traditional & experimental, acoustic & electronic and aims for a balance between textural and melodic.
All the tracks were improvised, recorded and mixed live.
The resulting stereo master tracks were then edited to make it shorter and more suitable to non-live listening but still show every step that occured during the live recording."
"You can read about all the technical details and gear used on this record here:" koyl.net/the-gear-behind-the-modular-glitchtar-soundscapes-vol-1/679
"This album is a collection of soundscapes made on lap-style slide guitars (dobro / electric lapsteel) with effects pedals, preparations and a lapstop used for live-looping purpose.
Blending post-rock, americana, eastern music, ambient and drone in a cinematic way, the music bridges the gap between traditional & experimental, acoustic & electronic and aims for a balance between textural and melodic.
All the tracks were improvised, recorded and mixed live.
The resulting stereo master tracks were then edited to make it shorter and more suitable to non-live listening but still show every step that occured during the live recording."
"You can read about all the technical details and gear used on this record here:" koyl.net/the-gear-behind-the-modular-glitchtar-soundscapes-vol-1/679